When Young Love Broke in Two: The Tender Sting of My Teenage Heart – A Song of Aching Adolescence and Unseen Longing

In the twilight of 1975, as the Bay City Rollers rode the crest of their tartan-clad wave, My Teenage Heart slipped quietly onto the scene, a B-side to their Japanese single Summerlove Sensation and a track on their album Wouldn’t You Like It?, which peaked at No. 3 on the UK Albums Chart. Unlike their chart-storming anthems—Saturday Night hit No. 1 in the US that year, and Bye Bye Baby ruled the UK for six weeks—this little ballad didn’t chase singles glory. It was never released as a standalone hit in the UK or US, but in Japan, where Rollermania burned brightest, it found a special place, even earning a unique single release. Penned by guitarists Eric Faulkner and Stuart “Woody” Wood, it’s a fragile whisper from a band known for shouting, a piece of their soul laid bare amid the hysteria of ’70s teen idolatry.

The story of My Teenage Heart unfurls like a dog-eared diary page from those platform-booted days. By late ’75, the Rollers—Les McKeown, Alan Longmuir, Derek Longmuir, Faulkner, and Wood—were global sensations, their tartan scarves a badge of honor for screaming fans. Wouldn’t You Like It?, recorded in the summer at Chipping Norton Studios, marked a shift; they were flexing their songwriting chops, stepping beyond the bubblegum hits crafted by producers like Bill Martin and Phil Coulter. Faulkner and Wood, the band’s quiet architects, poured their own teenage ghosts into this one—a melody born, perhaps, in the stolen moments between gigs, when the roar of the crowd faded and the heart’s small truths crept in. It’s a song that feels like it was written on a tour bus at dawn, the world asleep outside, the ache of youth too loud to ignore.

At its core, My Teenage Heart is a lament for love that’s split in half—a boy’s plea to a girl he can’t fully have, his pride and pain tangled up in every line. “Why must my teenage heart keep sharing you?” McKeown sings, his voice a soft bruise, while the lyrics spill out like a confession: “You’re breaking my teenage heart in two.” It’s the sound of first love’s cruel math—wanting all of someone who’s already half-gone, the sting of watching her with another, the hope that won’t quit even when it should. For those of us who were there, it’s a mirror to those years when every crush felt like forever, when a glance across the schoolyard or a slow dance at the disco could unravel you completely.

This wasn’t the Rollers we plastered on our walls—those pin-up boys in half-mast trousers and grins. This was something softer, truer, a glimpse behind the curtain of their whirlwind fame. Back then, we’d flip the record over after Summerlove Sensation faded, and there it was—My Teenage Heart, spinning on the turntable like a secret we didn’t know we needed. It’s the crackle of a 45 in a bedroom lit by a single bulb, the hush of a late-night radio dedication, the ache of a mixtape made for someone who’d never hear it. For older ears now, it’s a bridge to those wild, tender days—when the world was loud with possibility, when the Rollers were ours, and when a song could hold all the hurt and hope of being young. It didn’t need a chart to claim us; it just needed to play.

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