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The Hollies’ “Long Cool Woman in a Black Dress”: A Timeless Hit
“Long Cool Woman in a Black Dress” is one of those songs that seems to capture the essence of an era. Performed by the iconic British rock group the Hollies, this track stands out not just for its catchy melody but for its storytelling and stylistic nods to American rock. Written by Allan Clarke, Roger Cook, and Roger Greenaway, the song’s origins and its journey to success are as fascinating as its distinctive sound.
Released as a single on April 17, 1972, “Long Cool Woman in a Black Dress” quickly garnered attention, ultimately selling 2 million copies worldwide. Remarkably, 1.5 million of these sales were in the United States alone. Its reception in the US was particularly notable, reaching No. 2 on the Billboard Hot 100 in September 1972, only kept from the top spot by Gilbert O’Sullivan’s “Alone Again (Naturally).” This success was a milestone for the Hollies, marking their highest-charting single ever in the United States and solidifying their presence in the American music scene.
The song’s recording process is an interesting tale. On the day it was recorded at AIR Studios, the band’s usual producer, Ron Richards, was ill. This led to the Hollies themselves taking over the production duties. The result was a track that diverged from their typical style. Unlike most Hollies songs, which are known for their three-part vocal harmonies, “Long Cool Woman” features only Allan Clarke’s lead vocals prominently. Clarke also played the lead guitar, giving the song a raw and authentic rock feel. When Richards returned, he mixed the recording, adding the final touches to this soon-to-be classic.
Lyrically, “Long Cool Woman” transports listeners into a world reminiscent of a film noir crime drama. The narrative follows an FBI agent in a speakeasy filled with criminals. Amidst the chaos, he notices a striking 5’9″ woman in a black dress and ultimately helps save her when gunfire erupts. This vivid storytelling, coupled with the song’s upbeat rhythm, makes it a memorable and engaging listen.
Musically, the song was initially written in the country/rockabilly style of Jerry Reed. However, as recording progressed, it evolved into more of a swamp rock style, akin to the sound of Creedence Clearwater Revival. Clarke’s vocal delivery, inspired by John Fogerty, and the song’s rhythmic and melodic elements all pay homage to Creedence’s “Green River.” Despite its polished final product, Clarke has mentioned that the song was written in about five minutes, showcasing the spontaneous creativity behind its conception.
The reception of “Long Cool Woman” was overwhelmingly positive. Cash Box, a U.S. music-business magazine, praised the song, comparing its rock style to that of Creedence Clearwater Revival and T. Rex, noting it as the Hollies’ most commercial track since “He Ain’t Heavy.” While the song only achieved modest success in the Hollies’ native United Kingdom, peaking at number 32, it was a major hit in the United States, South Africa, Australia, and New Zealand.
This song’s success had a significant impact on the band. By the time it became a hit, Clarke had left the Hollies, but the song’s popularity contributed to his decision to rejoin the band in the summer of 1973. “Long Cool Woman in a Black Dress” remains a standout track in the Hollies’ discography, celebrated for its unique blend of rock influences and its captivating story, ensuring its place as a timeless hit.