A Vibrant Homage: Andy Scott’s “Paquito” Captures the Spirit of Latin Jazz.
For those of us with a seasoned appreciation for the intricate tapestry of music, there are certain pieces that arrive not with a thunderous roar, but with a vibrant, infectious rhythm that simply compels the soul to dance. Such is the case with Andy Scott’s “Paquito,” a dazzling composition that serves as a spirited homage to the legendary Cuban-American jazz clarinetist and saxophonist, Paquito D’Rivera. This isn’t a pop hit that soared to the top of the charts in a bygone era; rather, it’s a gem from the world of contemporary classical and jazz fusion, a testament to enduring artistry and deep musical respect.
“Paquito” was originally commissioned in 2004 for the British Clarinet Ensemble and premiered at the International Clarinet Association’s ClarinetFest in Washington D.C. It was later arranged for various instrumental combinations, including flute and harp, and famously, for alto saxophone and piano, appearing on the 2020 Naxos album “Westland: Works for Saxophone and Piano” performed by the acclaimed saxophonist Timothy McAllister. Unlike the mainstream pop songs that often dominated the airwaves of our youth, “Paquito” doesn’t have a traditional “chart position” in the sense of the Billboard Hot 100. Its success is measured not in fleeting radio play, but in its widespread adoption and enthusiastic performance within the classical and jazz communities worldwide. It’s a piece celebrated for its technical brilliance and its ability to capture the very essence of its namesake’s musical spirit.
The story behind “Paquito” is one of profound admiration. Andy Scott, a highly respected British composer and saxophonist himself, crafted this piece as a direct tribute to Paquito D’Rivera. D’Rivera is renowned for his extraordinary virtuosity, his vibrant improvisations, and his seamless blending of jazz, classical, and Latin American musical traditions. Scott, in “Paquito,” aimed to encapsulate this very spirit. The piece is a “fast salsa,” built upon a driving “two-three clave pulse”—the rhythmic backbone of much Latin American music. It’s a work that demands both technical prowess and a deep understanding of rhythm and flair, mirroring the very qualities that have made D’Rivera a living legend.
What “Paquito” truly means is a celebration of musical innovation and cross-cultural dialogue. It’s a bridge between the structured world of classical composition and the effervescent spontaneity of Latin jazz. For listeners, especially those who cherish the rich traditions of big band jazz, Latin rhythms, and intricate wind instrument performances, “Paquito” offers a joyous and exhilarating experience. It’s music that speaks of joy, of vibrant energy, and of the sheer thrill of musical expression. One can almost picture D’Rivera himself, with his characteristic beaming smile and boundless energy, inspiring every note.
As we reflect on the ever-evolving landscape of music, “Paquito” stands as a brilliant example of how contemporary composers continue to draw inspiration from the masters, not merely to imitate, but to reinterpret and expand upon their legacies. It reminds us that truly great music transcends genres and eras, connecting with us on a fundamental level, whether through a nostalgic pop tune or a dynamic contemporary composition. “Paquito” invites us to tap our feet, to feel the infectious pulse, and to remember the enduring power of a beautifully crafted melody that pays tribute to one of the greats. It’s a piece that, much like the vibrant energy of D’Rivera himself, leaves an indelible mark long after the final note fades.