A Timeless Classic: Chicago’s “Does Anybody Really Know What Time It Is?”
Chicago, the band synonymous with blending rock and jazz elements, gifted the world a timeless question through their 1969 debut album, Chicago Transit Authority. Among the gems in this groundbreaking album is “Does Anybody Really Know What Time It Is?”, a song that not only showcases the band’s distinctive sound but also encapsulates the era’s introspective and experimental spirit.
Written and sung by Robert Lamm, “Does Anybody Really Know What Time It Is?” was the first track recorded for the album. Despite being recorded early, the song’s release as a single was strategically delayed until after the band had already made waves with hits like “Make Me Smile” and “25 or 6 to 4”. When finally released in 1970, it cemented Chicago’s place in the music world by becoming their third consecutive Top 10 single, peaking at No. 7 in the U.S. and No. 2 in Canada.
The song’s chart performance was impressive, straddling two years and earning rankings on Canadian year-end charts—59th biggest hit of 1970 and 37th of 1971. However, due to its crossover period in the U.S. charts, it did not secure a spot on the major U.S. year-end lists.
Robert Lamm’s vision for the song was clear: he wanted to create something out of the ordinary, free from the constraints of typical blues-based or predictable “ice cream changes” songs. He aimed for a piece that would allow the band’s horn section to shine, particularly featuring a solo by trumpeter Lee Loughnane. Lamm’s intention was to craft a quirky, non-complicated tune that stood out in its uniqueness—a goal he undeniably achieved.
The original album version of “Does Anybody Really Know What Time It Is?” begins with a free-form piano solo by Lamm, setting the stage for a song that blends introspective lyrics with dynamic musicality. This version also includes a spoken verse mixed into the final sung verse, adding an extra layer of depth and character. However, the single version, which received widespread airplay, was slightly different. It omitted the free-form intro and was mixed in mono, while later re-edits and greatest hits compilations offered various stereo versions for diverse listening experiences.
Interestingly, several edits of the song exist, tailored for different media and listener preferences. A 2:54 edit, for instance, skips both the opening piano solo and the complex horn/piano dialog, starting instead at the trumpet solo. This version was popular on radio stations and included on several compilation albums, such as the If You Leave Me Now CD.
Chicago’s live performances also showcased their ability to expand on the song’s original structure. The Chicago at Carnegie Hall box set, for instance, features an extended version of the free-form intro, highlighting the band’s improvisational prowess and deep connection with their live audiences.
“Does Anybody Really Know What Time It Is?” remains a staple on various radio formats, with different stations opting for different edits based on their programming needs. Classic Hits stations often play the promotional single edit, while other stations might favor the original 3:20 single version. This enduring airplay underscores the song’s lasting appeal and its ability to resonate with listeners across generations.
In conclusion, Chicago’s “Does Anybody Really Know What Time It Is?” is more than just a song; it’s a reflection of a band at the height of their creative powers, willing to push boundaries and explore new musical territories. Its success and continued relevance speak volumes about the timeless quality of both the song and the band that brought it to life.